finaly my tees will b ready for spring yes yes thank goodness and now for me to continue on with my plan to take over the industry starting now !!!!!! lol

vionnet revival

Old native of prada Mr. Rodolfo Paglialunga now creative director for the revival of Vionnet...lets just say i fell in love with Rome again...these garments flow endlessly. they drape like layers of heavenly clothe woven for venus de milo her self. Envy envelops and clouds my creative process i stare wishing i were such a master of clothe.

in search for something new we return to the old

In search for the new we return to the old. Why...why do we reach back for inspiration. Is it in fear that there is nothing new. That we might fail in our attempts at fresh ground beneath this sun. We journey forward meeting some ones end.

will the eighties plese exit stage right.

Will the eighties please exit stage right. Thanks to Stefano Pilati of ysl we can expidite the exiting of the god forsaken eighties. The tailoring and shapes of this years collection concentrates on the timelessness of design. These pieces are instant classics. Thank you Stefano

blind leading the blind

Just figured id document and share with the world my now soul hearted attempt into the complex world of design. A world where the foreign are overlooked like the red haired stepchild that wets the bed to often. Here i am a young black straight male from Chicago who never attended parsons and never finished Harrington's, who worships design. I kneel down before skyscrapers and sing the praises of joy and admiration to the likes of Marc McQueen Ghesquiere jean Roberto. And treat the words in vogue as if written by the hands of Matthew Luke John or Paul or any other disciple of the almighty. Yet what am i to expect, how will i be received...the foreign man who walks in the midst of those who walk blindly in the shadows of trends... faithfully they do. Labels can never lead you astray...? Anywho who am i to judge when i too would like to entice these same idol worshipers...shame shame.